Jochen Eisentraut

musician, composer, teacher, writer

Skip to content
  • Blog
  • Projects
    • Cultural Adoption; Research and Book Project
    • Salvador Theatre Project
  • About
    • Music
    • Film
    • Teaching
    • Publications
  • Albums

Puxada de Rede from the new album Ritmeloxa

This entry was posted in Brazil, Music and tagged new album, percussion, sax, soundcloud, Ubiraci Santos on September 24, 2014 by Jochen Eisentraut.

Post navigation

← Some thoughts on our album Ritmeloxá Notes from the (Brazilian theatre) Underground →

Categories

  • Brazil
  • Culture
  • Indentities
  • Journal
  • Music
  • Politics
  • Research
  • Theatre
  • Wales

Tags

  • A Tarde
  • Bahia
  • beach life
  • book review
  • boredom
  • Candomblé
  • cultural adoption
  • cultural interaction
  • dance
  • Dostoyevsky
  • Eduardo Campos
  • existential anxiety
  • exoticism
  • Heidegger
  • improvisation
  • James Bond
  • Massa
  • melody
  • Michel Houellebecq
  • modal approach
  • Nego Fugido at Acupe
  • new album
  • news
  • paradox of photography
  • percussion
  • physical theatre
  • plane crash
  • Porto da Barra beach
  • post-modern experience
  • presidential elections
  • Recife
  • reggae
  • Salvador
  • sax
  • sound and music for theatre
  • soundcloud
  • sound design
  • sound system truck
  • street music
  • Sunday
  • swimming
  • tradition and the camera
  • two bodies found in the sea
  • Ubiraci Santos
  • winter swimming in London

The Accessibility of Music – Jochen Eisentraut

Recent Posts

  • Why Salsa Rather Than Sport or Church?
  • Coronavirus, Adopted Cultures and Real Togetherness
  • Reclaiming Community Expression
  • What Are ‘Adopted Cultural Practices’?
  • Why do Salsa, Yoga and Samba Matter?
  • Dresden
  • Today We Leave.
  • German and Exotic
  • Second Time Immigrant – Wales
  • We Don’t Like Each Other Either
Proudly powered by WordPress